The Resource Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking, Hunter Vaughan

Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking, Hunter Vaughan

Label
Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking
Title
Where film meets philosophy
Title remainder
Godard, Resnais, and experiments in cinematic thinking
Statement of responsibility
Hunter Vaughan
Creator
Subject
Genre
Language
eng
Summary
"Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theoretical framework to a comparative analysis of Jean-Luc Godard's films, which critique the audio-visual illusion of empirical observation (objectivity), and the cinema of Alain Resnais, in which the sound-image generates innovative portrayals of individual experience (subjectivity). Both filmmakers radically upend conventional film practices and challenge philosophical traditions to alter our understanding of the self, the world, and the relationship between the two. Films discussed in detail include Godard's Vivre sa vie (1962), Contempt (1963), and 2 or 3 Things I Know About Her (1967); and Resnais's Hiroshima, mon amour (1959), Last Year at Marienbad (1961), and The War Is Over (1966). Situating the formative works of these filmmakers within a broader philosophical context, Vaughan pioneers a phenomenological film semiotics linking two disparate methodologies to the mirrored achievements of two seemingly irreconcilable artists."--Publisher's website
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Vaughan, Hunter
Illustrations
illustrations
Index
index present
LC call number
PN1995
LC item number
.V375 2013
Literary form
non fiction
Nature of contents
bibliography
Series statement
Film and culture
http://library.link/vocab/subjectName
  • Godard, Jean-Luc
  • Resnais, Alain
  • Godard, Jean-Luc
  • Resnais, Alain
  • Motion pictures
  • Motion pictures
Label
Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking, Hunter Vaughan
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead
Dimensions
24 cm.
Extent
x, 244 pages
Isbn
9780231161329
Isbn Type
(cloth : acid-free paper)
Lccn
2012039151
Media category
unmediated
Media MARC source
rdamedia
Other physical details
illustrations
System control number
  • (OCoLC)794366581
  • (OCoLC)ocn794366581
Label
Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking, Hunter Vaughan
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead
Dimensions
24 cm.
Extent
x, 244 pages
Isbn
9780231161329
Isbn Type
(cloth : acid-free paper)
Lccn
2012039151
Media category
unmediated
Media MARC source
rdamedia
Other physical details
illustrations
System control number
  • (OCoLC)794366581
  • (OCoLC)ocn794366581

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