Displays of power : memory and amnesia in the American museum
Resource Information
The work Displays of power : memory and amnesia in the American museum represents a distinct intellectual or artistic creation found in Boston University Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Displays of power : memory and amnesia in the American museum
Resource Information
The work Displays of power : memory and amnesia in the American museum represents a distinct intellectual or artistic creation found in Boston University Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Displays of power : memory and amnesia in the American museum
- Title remainder
- memory and amnesia in the American museum
- Statement of responsibility
- Steven C. Dubin
- Subject
-
- Cultural policy
- Culture conflict
- Culture conflict -- United States
- Culture populaire -- Aspect politique
- Culture populaire -- États-Unis
- Museum exhibits -- Political aspects
- Museum exhibits -- Political aspects -- United States
- Museum techniques
- Museum techniques -- Political aspects -- United States
- Museum techniques -- United States
- Muséologie -- Aspect politique -- États-Unis
- Muséologie -- États-Unis
- Conflit culturel -- États-Unis
- Political correctness
- Political correctness
- Political correctness -- United States
- Politique et culture -- États-Unis
- Politiquement correct (Mouvement)
- Popular culture -- Political aspects
- Popular culture -- Political aspects
- Popular culture -- Political aspects -- United States
- United States
- United States -- Cultural policy
- États-Unis -- Politique culturelle
- Objets exposés -- Aspect politique -- États-Unis
- Language
- eng
- Summary
-
- In the past, museums glorified wealth and validated authority. But today, pressure groups frequently mobilize either to force their own perspective upon museum walls, or to prevent opposing opinions from being expressed. Exhibition controversies are similar to "tagged genes": They are markers for critical conditions, but not the cause of them. In Displays of Power, Steven C. Dubin examines the most controversial exhibitions of the 1990s. These include shows about ethnicity, slavery, Freud, the Old West, and the dropping of the atomic bomb by the Enola Gay. Some of these exhibitions challenged standard narratives, while others were faulted for failing to do so
- Drawing directly upon interviews with many key combatants: museum administrators, community activists, curators, and scholars, Displays of Power authoritatively analyzes these episodes of America struggling to redefine itself in the late twentieth century
- Cataloging source
- DLC
- Illustrations
- illustrations
- Index
- index present
- LC call number
- AM151
- LC item number
- .D84 1999
- Literary form
- non fiction
- Nature of contents
- bibliography
Context
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