Settling the pop score : pop texts and identity politics
Resource Information
The work Settling the pop score : pop texts and identity politics represents a distinct intellectual or artistic creation found in Boston University Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Settling the pop score : pop texts and identity politics
Resource Information
The work Settling the pop score : pop texts and identity politics represents a distinct intellectual or artistic creation found in Boston University Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Settling the pop score : pop texts and identity politics
- Title remainder
- pop texts and identity politics
- Statement of responsibility
- Stan Hawkins
- Subject
-
- Analyse musicale
- Gender identity in music
- Gender identity in music
- Identiteit
- Identiteit
- Identity politics
- Identity politics
- Identité sexuelle
- Identité sexuelle dans la musique
- Musical analysis
- Musical analysis
- Musicologie
- Musicologie
- Musicology
- Musicology
- Musique populaire -- Aspect social
- Musique populaire -- Aspect social
- Popmusik
- Popmusik
- Popmuziek
- Popmuziek
- Popular music -- Social aspects
- Popular music -- Social aspects
- Sex in music
- Sex in music
- Sexualité dans la musique
- Text
- Text
- Analyse musicale
- Language
- eng
- Summary
-
- "The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still find uncomfortable - that commercial production and consumption can be aligned with artistic authenticity. Reading pop texts takes place through dialogue on many levels, which, as Stan Hawkins argues, deals with how musical events are shaped by personal alliances between the artist and the recipient."
- "The need for a critical approach to evaluating popular music lies at the heart of this book. Hawkins explores the relationships that exist between music, spectatorship and aesthetics through a series of case studies of pop artists from the 1980s and 1990s. Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince represent the diversity of cultures, identities and sexualities that characterised the start of the MTV boom."
- "Through the interpretation of aspects of the compositional design and musical structures of songs by these pop artists, Hawkins suggests ways in which stylistic and technical elements of the music relate to identity formation and its political motivations. Settling the Pop Score examines the role of irony and empathy, the question of gender, race and sexuality, and the relevance of textual analysis to the study of popular music. Interpreting pop music within the framework of musicology, Hawkins helps us to understand the pleasure so many people derive from these songs."--BOOK JACKET
- Cataloging source
- DLC
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML3918.P67
- LC item number
- H39 2002
- Literary form
- non fiction
- Nature of contents
-
- bibliography
- discographies
Context
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/resource/8Filj1t1HQw/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/resource/8Filj1t1HQw/">Settling the pop score : pop texts and identity politics</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>