Women in music : an anthology of source readings from the Middle Ages to the present, edited by Carol Neuls-Bates
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The instance Women in music : an anthology of source readings from the Middle Ages to the present, edited by Carol Neuls-Bates represents a material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
The Resource
Women in music : an anthology of source readings from the Middle Ages to the present, edited by Carol Neuls-Bates
Resource Information
The instance Women in music : an anthology of source readings from the Middle Ages to the present, edited by Carol Neuls-Bates represents a material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
- Label
- Women in music : an anthology of source readings from the Middle Ages to the present, edited by Carol Neuls-Bates
- Title remainder
- an anthology of source readings from the Middle Ages to the present
- Statement of responsibility
- edited by Carol Neuls-Bates
- Bibliography note
- Includes bibliographical references (p. [373]-385) and index
- Contents
-
- The rise of women as virtuoso singers
- Francesca Caccini : singer-composer
- Elisabeth-Claude Jacquet de la Guerre : composer and harpsichordist
- The Venetian conservatories
- Music as an accomplishment
- Marianne von Martinez : composer and singer
- Maria Theresia von Paradis : pianist on tour
- Corona Schröter and Julie Candeille : two composers speak out
- Clara Schumann : pianist
- Amy Fay : pianist
- Women as singers in Christian antiquity
- Lillian Nordica : operatic soprano
- Margaret Blake-Alverson : contralto
- Sissieretta Jones : soprano
- Fanny Mendelssohn Hensel
- Clara Schumann
- Ethel Smyth
- Luise Adolpha le Beau
- Cosima Wagner
- The female amateur : from accomplishment to achievement
- Women as teachers
- Music in an early community of women
- Women as patrons in the club movement
- The Vienna Damen Orchester in New York, 1871
- Caroline B. Nichols and the Boston Fadette Lady Orchestra
- Camilla Urso on professional equity for women violinists, 1893
- Should women perform in the same orchestra with men?
- George Upton : a classic formulation of the theory of women's innate inferiority
- Helen J. Clarke : regarding unequal education in the past
- Frederick Meadows-White : regarding the "great composer" aspect of the question
- Amy Fay : women have too well aided men
- Mabel Daniels : fighting generalizations about women
- Life at a twelfth-century Benedictine convent
- A corollary to the question : sexual aesthetics in music criticism
- Elizabeth Sprague Coolidge : patron of chamber music
- Nadia Boulanger : teacher of composers
- Women's symphony orchestras
- American women demand "mixed" orchestras
- Three musicians recall their careers : Antonia Brico, Frederique Petrides, and Jeannette Scheerer
- Marian Anderson : contralto
- Ethel Smyth : "Female pipings in Eden"
- Carl E. Seashore : "Why no great women composers?"
- Ruth Crawford-Seeger -- Elisabeth Lutyens
- Hildegard of Bingen : abbess and composer
- Nancy Van de Vate
- The Women's Philharmonic
- Joan Tower : composer
- Marcia J. Citron : musicologist
- Three women troubadours
- Women among the minstrels and as amateur musicians
- The Renaissance lady
- Vocal and instrumental music performance at an Italian convent
- Dimensions
- 21 cm.
- Edition
- Rev. ed.
- Extent
- xviii, 400 p.
- Isbn
- 9781555532390
- Isbn Type
- (cloth : alk. paper)
- Lccn
- 95017460
- Other physical details
- ill.
- Record ID
- 99192959300001161
- System control number
-
- (OCoLC)32469377
- (OCoLC)32469377
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