The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan
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The work The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan represents a distinct intellectual or artistic creation found in Boston University Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan
Resource Information
The work The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan represents a distinct intellectual or artistic creation found in Boston University Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan
- Title remainder
- the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan
- Statement of responsibility
- Trudier Harris
- Subject
-
- African American oral tradition
- African American oral tradition -- Southern States
- African Americans
- African Americans -- Intellectual life
- African Americans -- Intellectual life -- 20th century
- African Americans -- Southern States -- Folklore
- African Americans in literature
- African Americans in literature
- American fiction
- American fiction -- African American authors
- American fiction -- African American authors | History and criticism
- American fiction -- Southern States -- History and criticism
- Criticism, interpretation, etc
- Epik
- Folklore
- History
- Hurston, Zora Neale
- Hurston, Zora Neale
- Hurston, Zora Neale -- Criticism and interpretation
- Hurston, Zora Neale -- Critique et interprétation
- Hurston, Zora Neale, (1891-1960) -- Critique et interprétation
- Kenan, Randall
- Kenan, Randall
- Kenan, Randall -- Criticism and interpretation
- Kenan, Randall -- Critique et interprétation
- Kenan, Randall -- Critique et interprétation
- Literature
- Literature and folklore
- Literature and folklore -- Southern States -- History -- 20th century
- Littérature et folklore -- États-Unis (Sud)
- Littérature et folklore -- États-Unis (sud) -- Histoire -- 20e siècle
- Mündliche Erzählung
- Narration
- Narration (Rhetoric)
- Narration (Rhetoric) -- History -- 20th century
- Naylor, Gloria
- Naylor, Gloria
- Naylor, Gloria -- Criticism and interpretation
- Naylor, Gloria -- Critique et interprétation
- Naylor, Gloria, (1950- ...) -- Critique et interprétation
- Naylor, Gloria, 1950- -- Criticism and interpretation
- Noirs américains -- États-Unis (Sud) -- Folklore
- Noirs américains -- États-Unis (sud) -- Folklore
- Noirs américains -- États-Unis (sud) -- Folklore.
- Noirs américains dans la littérature
- Roman américain -- Auteurs noirs américains | Histoire et critique
- Roman américain -- Écrivains noirs américains | Histoire et critique
- 1900 - 1999
- Schwarze
- Southern States
- Southern States -- In literature
- Storytelling in literature
- Storytelling in literature
- Tradition orale -- États-Unis (Sud)
- USA -- Südstaaten
- États-Unis (Sud) dans la littérature
- États-Unis (sud) dans la littérature
- Roman américain -- États-Unis (Sud) -- Histoire et critique
- Language
- eng
- Summary
- In ways that are highly individual, says Harris, yet still within a shared oral tradition, Zora Neale Hurston, Gloria Naylor, and Randall Kenan skillfully use storytelling techniques to define their audiences, reach out and draw them in, and fill them with anticipation. Considering how such dynamics come into play in Hurston's Mules and Men, Naylor's Mama Day, and Kenan's Let the Dead Bury Their Dead, Harris shows how the "power of the porch" resides in readers as well, who, in giving themselves over to a story, confer it on the writer. Against this background of give and take, anticipation and fulfillment, Harris considers Zora Neale Hurston's special challenges as a black woman writer in the thirties, and how her various roles as an anthropologist, folklorist, and novelist intermingle in her work. In Gloria Naylor's writing, Harris finds particularly satisfying themes and characters. A New York native, Naylor came to a knowledge of the South through her parents and during her stay on the Sea Islands she wrote Mama Day. A southerner by birth, Randall Kenan is particularly adept in getting his readers to accept aspects of African American culture that their rational minds might have wanted to reject. Although Kenan is set apart from Hurston and Naylor by his alliances with a new generation of writers intent upon broaching certain taboo subjects (in his case gay life in small southern towns), Kenan's Tims Creek is as rife with the otherworldly and the fantastic as Hurston's New Orleans and Naylor's Willow Springs
- Cataloging source
- DLC
- Government publication
- government publication of a state province territory dependency etc
- Index
- index present
- LC call number
- PS374.N4
- LC item number
- H35 1996
- Literary form
- non fiction
- Nature of contents
- bibliography
Context
Context of The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall KenanWork of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/resource/IZjveN3sEmQ/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/resource/IZjveN3sEmQ/">The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>