Provenance : how a con man and a forger rewrote the history of modern art, Laney Salisbury and Aly Sujo

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The instance Provenance : how a con man and a forger rewrote the history of modern art, Laney Salisbury and Aly Sujo represents a material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.

The Resource Provenance : how a con man and a forger rewrote the history of modern art, Laney Salisbury and Aly Sujo

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Label: Provenance : how a con man and a forger rewrote the history of modern art, Laney Salisbury and Aly Sujo

Title remainder: how a con man and a forger rewrote the history of modern art

Bibliography note: Includes bibliographical references (p. [313]-316) and index

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Contents: "I want a nice Matisse" -- Canvas greed -- Art for sale -- Crossing the line -- Mibus wants his money back -- Self-made man -- Wreckers of civilization -- At the easel -- The fine art of provenance -- Full speed ahead -- After Giacometti -- A sinister message -- The bookworm -- The paper trail -- Falling off a log -- The bow tie -- Into the whirlwind -- Standing nude -- The pond man -- Myatt's blue period -- The chameleon -- A loaded briefcase -- The Auschwitz concert -- Extreme prudence -- We're not alone -- A slow burn -- The art squad -- The macaroni caper -- Nicked -- Aladdin's cave -- The fox -- Drewe descending -- South -- The trial

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Context of Provenance : how a con man and a forger rewrote the history of modern art, Laney Salisbury and Aly Sujo