A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner
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The instance A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner represents a material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
The Resource
A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner
Resource Information
The instance A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner represents a material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
- Label
- A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner
- Title remainder
- African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927
- Statement of responsibility
- David Krasner
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Wages of culture: Alain Locke and the folk dramas of Georgia Douglas Johnson and Willis Richardson
- PART III. 1918-1927
- "In the whirlwind and the storm": Marcus Garvey and the performance of black nationalism
- Whose role is it, anyway?: Charles Gilpin and the Harlem renaissance
- "What constitutes a race drama and how may we know it when we find it?": the little theatre movement and the black public sphere
- Shuffle along and the quest for nostalgia: black musicals of the 1920s
- Conclusion:
- End of "butter side up."
- African American performance in the Harlem renaissance
- PART I. 1910-1918
- Men in black and white: race and masculinity in the heavyweight title fight of 1910
- Exoticism, dance, and racial myths: modern dance and the class divide in the choreography of Aida Overton Walker and Ethel Waters
- "Pageant is the thing": black nationalism and The star of Ethiopia
- PART II. BLACK DRAMA
- Walter Benjamin and the lynching play: mourning and allegory in Angelina Weld Grimké's Rachel
- Migration, fragmentation, and identity: Zora Neale Hurston's Color struck and the geography of the Harlem renaissance
- Dimensions
- 25 cm.
- Edition
- 1st ed.
- Extent
- xii, 370 p., [16] p. of plates
- Isbn
- 9780312295905
- Isbn Type
- (hbk.)
- Lccn
- 2002025109
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill.
- Record ID
- 99192029060001161
- System control number
-
- (OCoLC)49260895
- (OCoLC)ocm49260895
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